The who is, creative history, milestones, achievements & testimonials of Josh Pears.

Origins

Raised in Lancaster County, Pennsylvania, Joshua Pearson cultivated an observational mindset from an early age. Rather than passively absorbing his environment, he engaged with it critically—consistently questioning, analyzing, and seeking patterns in human behavior and systems. It was less about geography and more about the individuals who nurtured his early potential and challenged him to think expansively. The moniker “Josh Pears” emerged as an abbreviated, stripped-down version of his name—approachable, creatively open-ended, and designed for clarity and adaptability. With so many individuals sharing the name Joshua Pearson, the shift also served a practical purpose: to carve out a distinct identity and ensure his brand stood out in a crowded creative landscape. It reflects his personal ethos and functions as a versatile identity that bridges his artistic persona and his modern, flexible design practice.

Philosophy

Josh’s worldview is anchored by core principles such as “Fear No Art” and “Creativity has no bounds.” His creative identity is defined by resistance to narrow specialization and a rejection of commodified thinking. He draws deep inspiration from the Bauhaus philosophy, embracing its emphasis on functionality, interdisciplinary fusion, and the unity of art, craft, and technology. He values adaptability, intellectual curiosity, and the pursuit of authenticity. Josh challenges dominant narratives—whether cultural, political, or economic—and aligns his design philosophy with independent thought, critical engagement, and social consciousness.

Multidisciplinary Drive

Josh’s creative output spans a broad spectrum of disciplines. While professionally recognized as a designer, developer, photographer, and brand strategist, his work regularly crosses into music production, theatrical makeup, analog illustration, and conceptual storytelling. He draws on diverse intellectual interests—including ancient history, art history, psychology, and quantum physics—to explore the interplay between micro-level detail and macro-level systems. This multidimensional approach enables him to approach branding and design as narrative architecture—building emotional, cultural, and aesthetic coherence across media.

Aesthetic as Metaphor

Josh’s personal aesthetic can be described as functional minimalism with an experimental undercurrent—akin to a well-designed UX system concealing complex backend logic. It’s pragmatic yet expressive, favoring neutral tones punctuated with strategic bursts of color. This visual language reflects his thought process: methodical, layered, and intentionally disruptive. His core tools—camera, digital audio equipment, custom workstations, and Wacom tablet—serve not only as technical assets but as creative conduits. While his style is distinct, he approaches client work with a chameleon-like flexibility, adapting design systems to align with each brand’s voice, mission, and audience.

Where He’s Most Himself

Josh is most in tune with his identity when immersed in creative problem-solving. Whether editing photographs, developing code, conceptualizing brand narratives, or sketching impromptu ideas, he engages deeply with his medium. Fueled by caffeine and curiosity, he often loses track of time when caught in the flow. His process is not just about output—it’s about uncovering meaning, processing complexity, and channeling emotion into form.

For Josh, creativity is not a title or a task.

It is an epistemology—a way of engaging with the world, interpreting its layers, and leaving a meaningful imprint through design.

For him, creativity isn’t a job. It’s how he processes the world.

Josh's Creative Timeline

1990

Although my family didn’t have an artistic background, my grandfather was incredibly creative in an engineering sense. He taught me how to build and fix things, which nurtured my creative mind and set the foundation for my future endeavors. Later, in grade school, I learned how to draw anatomical representations step by step. First, I memorized and sketched the skeletal structure, followed by the muscles, and finally the skin. During this time, I entered and won multiple Scholastic awards for illustration, which further fueled my passion. These experiences marked the beginning of the journey to where I am today.  

1993

I experienced my first vector illustration application called Turtle on an Apple IIe. Was exposed to programming with QBasic and automation. This led to winning a science fair by creating a robotic arm made of legos that picked up and moved items from one bin to another. Learning these things trigger my love and curiosity for technology which helped me later on in my life.

1994

Started my journey with Adobe, working with Photoshop and Illustrator for the first time on Gateway 2000s. This was the same time that I was illustrating flash art for tattoo shops by mail order. These sheets of illustrations ended up in shops from Boston to Baltimore.

1995

Acquiring my first semi-professional camera (a Nikon FM-2), I immersed myself in photography classes, mastering film development and the science of light. This was the start of a deep-seated passion that continues to influence my work today.

1996

Applying my Adobe skills, I ventured into print design, creating decals for cars at a vinyl signage company. This hands-on experience honed my graphic design skills and broadened my creative toolkit.  

1999

Apprenticing at Castello Dell’ Arte, a bronze casting studio, I contributed to projects like Penn State University’s Joe Paterno statue. I also explored glass cutting and painting, deepening my artistic expertise.

2000

Amid the Y2K frenzy, I reverse-engineered websites, learning HTML and CSS. This self-taught coding journey laid the foundation for my web development skills.

2001

Then I moved to Massachusetts… There I worked at LaBaron Bonney Inc. (specializing in antique car upholstery), managed a record store and thrift store.  This was time that I was more free &  experimented with random creative projects.

2004

At The Art Institute of Philadelphia, I majored in graphic design and minored in photography. I was also working at the school in the service bureau. This gave me the ability to do projects and take on client work. During that time, I landed my first freelance gigs, including branding and web design for Zack Bird, the muralist for Palm Restaurants and for a few other local businesses.

2008

As design transitioned from print to digital, I mastered dynamic, responsive (mobile-friendly) websites, seamlessly blending design and code.  

2010

This was when I went full-time freelance, taking on contract jobs and other gigs. I worked on the documentary “I Love My Bicycle” and projects for bands like Devil Doll and Guana Batz in association with Tiger Mask Productions. Collaborating with artists like Caroline Evans from Ink Master Rivals further enriched my creative journey.  

2011

Through talent agencies, I worked with top design firms like Tierney Group, LevLane, M Group, & Electronic Ink. Notably, I developed ads for TD Bank’s Regis & Kelly bobblehead campaign and contributed to Aramark’s digital menu boards for high-profile clients.

2012

At Lenox, a fine china and dinnerware company, I spearheaded the front-end development of their online store, working with brands like Kate Spade and Donna Karan. My role involved innovative e-commerce solutions and guiding creative team work within the ever evolving digital world.

2019

Pears Media Group, born just before COVID, is my design and marketing agency. Focused on small businesses, we offer comprehensive services from print and digital design to full-spectrum marketing and PR. Clients include Sandow, Condé Nast, Leicht, Top Chef Jamie Lynch and the New York Children’s Film Festival. This was also the year that I ramped up and revived my love for photography and officially included as part of my creative arsenal.

2020

Turning my passion for photography into a professional endeavor, my work has been published in Brides, Vogue, and other prestigious outlets. My photos serve various purposes, from web content to legal evidence during BLM protests.

The journey continues

Testimonials

Jaquoya Cadet

Josh is extremely creative! He knows my angles and is great with cool lighting contrast. I love how he doesn’t half-ass his work and pays attention to detail.

Michael Lubka

I brought Josh into Lenox when we started to upgrade our e-commerce business. He was a blessing in disguise. He enabled us to upgrade our platform, satisfying our customers’ needs to make browsing/buying much easier. Sales & KPIs grew every season he was with us. I would hire Josh again.

Linda Greene

Josh frequently introduced us not only to new technologies, but to innovative ways to work as a team as well. He is a unique combination of tech and creativity and is able to describe complicated concepts in a clear manner. He’s a tough guy to describe because he’s so multi-faceted…and a musician as well!

Kazi Shafin

Josh is very friendly and funny. He’s very comfortable to work with. He will give great directions on how to pose and he has an eye for very unique compositions. I got my photos taken with my family when I was in NY last summer and man those photos looks cinematic and dreamy. I would rate this guy 15/10 would pick again.

Bally Bharj

Working with Josh is wonderful, he does such great work and does it with pride. Highly recommend!

Shayna Rose

I would recommend Josh for any photo occasion! He is professional, talented, and passionate about photography and making sure you get the best photos!

Size Charts

Half Chest Width cm. in.
S 45.72 18
M 73.66 20
L 76.20 22
XL 78.74 24
2XL 81.28 32
3XL 83.82 33